It's films like Sarkar that keep reminding us how our brand of cinema is entirely different from the general perception worldwide. If a film can be considered good if it succeeds in meeting all the goals it sets for itself, then Sarkar is a winner because its only mission seems to be selling Vijay as the other political prospect of Tamil Nadu - even if it means sacrificing the form. It is shockingly surprising that director AR Murugadoss has cut a lot of slack in his cinema to incorporate the hero that is 'Thalapathy' Vijay.
Sarkar is a propaganda film in many ways but here the filmmaker is not selling an ideology but a hero; a brand called Vijay, and it is safe to say that he succeeds. Sarkar is the kind of film that Rajinikanth or Kamal Haasan would have done eventually, but Vijay pulled the trigger first.
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